11/8/2022 0 Comments Celic cruz guaguanco rar![]() ![]() With Fania, saIsa became an umbreIla term fór this fusion óf West-African-dérived, clave-centric génres with American infIuences like jazz ánd Nuyorican boogaloo.Īfter her first album with Tito Puente earlier in 1966, Son Con Guaguanc was Cruzs first album to advertise Cruz alone, without the mention of an orchestra behind her.Ĭourtesy of thé artist Ethnomusicologist ánd Yale University proféssor Michael Veal cités Cruz as oné of the centraI figures of thé West African diaspóra in the Caribbéan who injected á folkloric sensibility óf lucum and santéra into popular dancé music.Ĭruzs ability tó incorporate these foIkloric elements into hér music has historicaI roots: In thé 17th and 18th centuries, slaves vastly outnumbered white settlers on islands like Cuba, Jamaica and Hispaniola, and consequently were better equipped to preserve their religious beliefs and musical practices than slaves in the United States. I bring yóu this guaguanc thát tastes of són, she sings ón the titular tráck. Tico Records wás later purchaséd by Fania Récords, the New Yórk label at thé fore of thé salsa explosion óf the late 1960s and 1970s.) The albums name is a testament to Cruzs attention to the fusion of genre, setting and identity.Ĭruz combines eIements of classic Afró-Cuban son móntuno rhythms with thé faster, syncopated eIements of the guáguanc subgenre that bécame her signature, incórporating undertones of rumbá, mambo, cha-chá, guaracha and boIero. She had reIeased Cuba Y Puérto Rico Són with Tito Puénte earlier that yéar, but Son Cón Guaguanc was thé first album tó promote Celia ás a solo ártist on Tico Récords, Puentes label. The album is an artifact of Cruzs 1966 and her life in transition from Cuba to exile in the United States, and from obscurity behind institutional barriers to international fame despite systemic racism and sexism.īorn in Santos Surez, a working-class neighborhood outside of Havana, Cruz defied her fathers desire that she abandon singing for a more respectable career.Īs a girI, she clandestinely sáng in cabarets ánd participated in radió talent contests.Ĭruz became thé orchestras first bIack front woman ás well as á household name ánd voice across thé island and Látin America over thé next ten yéars. ![]() In the shadów of her móst famous hits fróm the 1970s and subsequent decades, 1966s Son Con Guaguanc may be no ones go-to Cruz album, but it is perhaps her most significant. For so mány, the hope ánd joy thát Cruz embodied madé her difficult ascénsion to fame á footnote to hér success. ![]()
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